Distress in The Love Song of J.Alfred Prufrock Essay -- Love Song J. A

The do cry of J.Alfred Prufrock - The Distress of J.Alfred PrufrockThe forgiving promontory is divided into deuce-ace distinct aspects the Persona, the Shadow, and the Anima/Animus at least, it is agree to Jungian Psychology. Drawing heavily on the theories developed by Freud, Jungs mental concepts tell apart us that if these three facets argon not properly integrated - that is, if matchless of the three is overly dominant, or repressed, or all three argon in conflict with each other - then an individuals energies - his libido - allow for be out of alignment, causing psychological distress and unconscious problems. The Love Song of J.Alfred Prufrock, if read Archetypaly, reveals to us such an individual. J.Alfred Prufrock, the nebbish little creation that he is, has some very serious problems - he is extremely indecisive, haunt with subaltern details, and frets over inconsequentials (Shall I part my hair behind? Do I dare eat a peach?) more importantly, he seems t o stir an inability to confront the opposite sex, choosing instead to develop exercise fantasies in which to meet imaginary women - all of whom seem to be each cruel, vain, or sinister in some subtle way. An archetypal abbreviation draftsmanship upon Jungs theories seeks to uncover the reasons behind Prufrocks neurosis. The first line of the poetry - Let us go then, you and I - gives an immediate insight into Prufrocks problem his psyche is out of joint. The You and I of the poem are two aspects of his personality his Shadow and his Persona, respectively. Prufrock is very much conscious(predicate) of the rent within his own mind. His Persona - the aspect of himself he presents to the accessible domain of a function - remains dominant most of the time. His Shadow, however, comp... ...s earlier illness. Unfortunately for Prufrock, this observable rhythm is entirely contained within a small portion of the whole. Prufrock participates in a greater hert z, merely one that seems to end, not in life, or rebirth, but in a symbolic death. He is a crab, a ... correspond of ragged claws/Scuttling across the floors of silent seas, a man who wakes... and drowns. His cycle ends negatively, without the rebirth. He never gets his act together, never integrates his personality properly, never lucre existence the sad little nebbish of a man that he is the cracks in Prufrock are never mended. -Michael J.NoakesWorks CitedEliot, T.S. The Love Song of J.Alfred Prufrock . The Norton Anthology of English Literature, the great unwashed Two. Ed. M.H.Abrams, 6th Edition. New York Norton, 1993. 2140-2143. Distress in The Love Song of J.Alfred Prufrock experiment -- Love Song J. AThe Love Song of J.Alfred Prufrock - The Distress of J.Alfred PrufrockThe human psyche is divided into three distinct aspects the Persona, the Shadow, and the Anima/Animus at least, it is according to Jungian Psychology. Drawing heavily on the theories developed by Freud, Jungs psychological concepts tell us that if these three facets are not properly integrated - that is, if one of the three is overly dominant, or repressed, or all three are in conflict with each other - then an individuals energies - his libido - will be out of alignment, causing psychological distress and unconscious problems. The Love Song of J.Alfred Prufrock, if read Archetypaly, reveals to us such an individual. J.Alfred Prufrock, the nebbish little man that he is, has some very serious problems - he is extremely indecisive, obsessed with trivial details, and frets over inconsequentials (Shall I part my hair behind? Do I dare eat a peach?) more importantly, he seems to have an inability to confront the opposite sex, choosing instead to develop elaborate fantasies in which to meet imaginary women - all of whom seem to be either cruel, vain, or sinister in some subtle way. An arche typal analysis drawing upon Jungs theories seeks to uncover the reasons behind Prufrocks neurosis. The first line of the poem - Let us go then, you and I - gives an immediate insight into Prufrocks problem his psyche is out of joint. The You and I of the poem are two aspects of his personality his Shadow and his Persona, respectively. Prufrock is very much aware of the schism within his own mind. His Persona - the aspect of himself he presents to the social world - remains dominant most of the time. His Shadow, however, comp... ...s earlier illness. Unfortunately for Prufrock, this apparent cycle is entirely contained within a small portion of the whole. Prufrock participates in a greater cycle, but one that seems to end, not in life, or rebirth, but in a symbolic death. He is a crab, a ... pair of ragged claws/Scuttling across the floors of silent seas, a man who wakes... and drowns. His cycle ends negatively, without the rebirth. He never gets his act together, never integrates his personality properly, never stops being the sad little nebbish of a man that he is the cracks in Prufrock are never mended. -Michael J.NoakesWorks CitedEliot, T.S. The Love Song of J.Alfred Prufrock . The Norton Anthology of English Literature, Volume Two. Ed. M.H.Abrams, 6th Edition. New York Norton, 1993. 2140-2143.